A NEW SONG
A
Guide To Quality Classical Music
I. "Classical Music"
A. Suggestions for Getting Started
1. LEARN ABOUT
THE MUSIC
2. LISTEN,
LISTEN, LISTEN!
3. ATTEND LIVE
CONCERTS
4. WATCH
CLASSICAL CONCERTS ON PUBLIC TELEVISION
B.
Ideas for Listening
1. Use the
suggested list of records.
2. Join a good
mail-order music club.
International Preview Society
P.O. Box 91406
Indianapolis, IN 46291
Musical Heritage Society
1710 Highway 35
Ocean, NJ 07712
3. Select a
recording with a good orchestra or famous concert artist.
4. Listen to a
classical radio station.
C. Suggested List of "Classical" Recordings
The selections marked with a star are recommended as especially good starters. The basic list and annotations were provided from the book,"Rock - Making Musical Choices" by Richard Peck and "The Basic Classics:A Guide to Favorite Works of Classical Music For Your Family Library" by Jay-Martin and Dianne Pinner.
ADAIGO
FOR STRINGS, Samuel Barber
A serene
and somber composition, Barber's famous adagio is among the best-loved works of
20th century music.
CONCERTO
FOR ORCHESTRA, Bela Bartok
This
brilliant 1943 work shows off the brass, woodwind, and percussion instruments
(and your stereo system, too!)
MOONLIGHT
SONATA, Ludwig van Beethoven*
This is a
slow, melodic piano piece that almost everyone will know.
SYMPHONY
NO. 5, Ludwig van Beethoven*
Symphony
No. 5 is the most famous major
work of this well-known composer. Recurring
themes make this piece an easy introduction to "classical music."
THE
ROMAN CARNIVAL OVERTURE, Hector Berlioz
This piece
was written as the prelude to the second act of an opera, but today it is
usually performed as a separate piece.
SYMPHONIE
FANTASTIQUE, Hector Berlioz
One writer
described Symphonie Fantastique as a showcase for orchestra and a
"fantasized autobiography in sound."
Originally it was titled Episode in the Life of an Artist and was
written to impress a young, Irish Shakespearean actress, whom Berlioz later
married.
POLOVETSIAN
DANCES, Alexander Borodin
Borodin
wrote treatises on chemistry and lectured on medicine. He spent seventeen years writing an opera
that he never finished. The Polovetsian
Dances from this opera, however, is lively music that has earned Borodin a
place in the history of music, even though his scientific efforts are
forgotten.
ACADEMIC
FESTIVAL OVERTURE, Johannes Brahms
The
University of Bresla conferred an honorary doctor's degree on Brahms, who wrote
and conducted the premier performance of this piece in the school's honor.
HUNGARIAN
DANCES, Johannes Brahms
Brahms
wrote these as piano duets. The
original melodies are old folks songs.
Brahms arranged several of them for orchestra, which is how we generally
hear them today.
PIANO
CONCERTO NO. 1 IN D MINOR, Johannes Brahms*
This is a
strongly emotional work with a particularly lovely adagio (slow) movement. Highly recommended.
YOUNG
PERSON'S GUIDE TO THE ORCHESTRA,
Benjamin Britten*
This
well-known symphonic work introduces each section of the orchestra in an
exciting set of variations. Even the
timpani gets the melody!
SCOTTISH
FANTASY, Max Bruch*
When
called by its full title, "Fantasy for Violin with Orchestra and Harp,
freely using Scottish Folk-Melodies," this work is properly labeled. The music is lovely; the listener can almost
visualize the ruins of an old castle.
Highly recommended.
APPALACHIAN
SPRING, Aaron Copland*
Written in
1944, this composition has many beautiful moments. The following description was in the program when the piece was
first performed: "Spring was celebrated by a man and a woman building a
house with joy and love and prayer; by a revivalist and his followers in their
shouts of exultation; by a pioneering woman ...." Highly recommended.
FANFARE
FOR THE COMMON MAN, Aaron Copland*
Fanfare is
dramatic, "Olympic sounding" music.
This relatively brief piece is a favorite of many.
RODEO, Aaron Copland
Capturing
sounds and excitement from the West, Copland has given us an entertaining
work. You will hear "sound
pictures" of exactly what you might expect from a work of this title.
NEW
WORLD SYMPHONY (NO. 5), Anton Dvorak
Called
more correctly, "From the New World", this work is an interesting
description of America by a Czech who spent several years in the United
States. Dvorak weaves several familiar
tunes, including "Swing Low, Sweet Chariot," "Going Home,"
and "Hot Cross Buns," into this piece.
GRAND
CANYON SUITE, Ferde Grofe*
After a
visit to the Grand Canyon, Grofe recorded his impressions musically in a series
of movements entitled, "Sunrise," "Painted Desert,"
"On the Trail," and "Sunset and Cloudburst." This is an exciting piece with much emotion
and many "sound descriptions."
THE
MESSIAH, George Frederick Handel*
Probably
the best known of all the oratorios, The Messiah, has many familiar
melodies and a text drawn from Scripture.
Every Christian should be able to receive great spiritual benefit and
encouragement from both the words and the music.
WATER
MUSIC, George Frederick Handel*
In the
1700's, King George I of England held "water parties" during which
his guests would be entertained on the water on large, flat barges. On one barge was a small orchestra. Handel's Water Music was written to
be performed for these occasions. This
is light baroque music with the sound quality one might expect at a court
party.
HUNGARIAN
RHAPSODY (NO. 2), Franz Liszt
Liszt
wrote this piece for the virtuoso pianist, and it is at its best when performed
on the piano. There is also an
orchestral setting of this popular piece.
A
MIDSUMMER NIGHT'S DREAM, Felix Mendelssohn
Originally
written as incidental music to Shakespeare's play and later put together as a
suite, this work, which includes the traditional "Wedding March,"
contains some of the most familiar music of the classics.
EINE
KLEINE NACHTMUSIK, Wolfgang A. Mozart
The title
may be translated "a little night music." Mozart is known for elegance.
This serenade for strings is for a festive occasion and shows the
delicacy of eighteenth-century classical music.
PICTURES
AT AN EXHIBITION, Modest Mussorgsky*
An
exhibition of the works of Victor Hartmann, a painter and architect, was held
the year after his death. Ten of the
works inspired his friend Mussorgsky to write a set of tone poems. Possibly the best known, "The Great
Gate of Kiev," is a massive, impressive composition. Highly recommended.
CANON
IN D MAJOR, Johann Pachelbel*
This music
accompanies portions of one of the breathtaking films at the Smithsonian Air
and Space Museum in Washington, D.C. It
is a pleasant, easy-to-remember work that many enjoy.
PIANO
CONCERTO NO. 2 IN C MINOR, Sergei
Rachmaninoff*
Known for
his soaring melodies and rich, lush sounds, Rachmaninoff is a favorite of
many. This is one of his most popular
pieces.
SCHEHERAZADE,
Nicolas Rimsky-Korsakoff
The sultan
boasts that none of his wives have ever been unfaithful to him for they have
all been put to death after their wedding night. But Scheherazade tells the sultan a story on their wedding night
and will not tell him the ending until the next night. She thus remains alive, as the piece says,
"A Thousand and One Nights."
The stories of Sinbad and Prince Kalendar come from this old collection
of tales.
CONCERTO
DE ARANJUEZ, Joaquin Rodrigo*
Written in
1940, this guitar concerto features a rich orchestral score and guitar passages
of great technical difficulty. Listen
particularly to the adagio (slow) movement.
Highly recommended.
THE
ORGAN SYMPHONY NO. 3 IN C MINOR,
Camille Saint-Saens*
The
Philharmonic Society of London commissioned Saint-Saens to write this
piece. Featuring two pianos and an
organ, it is a dynamic piece that reaches grand proportions and a majestic
finish.
FINLANDIA, Jean Sibelius*
At the end
of the nineteenth century, Finland was seeking independence from Russia. Sibelius wrote this symphonic poem about his
native country. One especially
beautiful part of this work is the musical accompaniment for the hymn "Be
Still My Soul."
THE
MOLDAU, Bedrich Smetana
The Moldau
is a river in Bohemia. This piece
describes a trip down the river from the beginning of the stream past cities,
over rapids, by small villages, majestic castles, and finally out to sea. It is interesting to follow the piece,
looking for these musical pictures.
THE
BLUE DANUBE and TALES FROM THE
VIENNA WOODS, Johann Strauss
These are
familiar works from Strauss. Those who
like the waltzes of this Austrian master will enjoy both.
TILL
EULENSPIEGEL, Richard Strauss
This
symphonic poem describes the comic escapades of a legendary medieval rogue.
FIREBIRD
SUITE, Igor Stravinsky
Stravinsky's
work is a very dramatic piece, one that many enjoy. It is based on the old legend of the bird that dies in flames but
arises from its ashes.
1812
OVERTURE, Peter Ilich Tchaikovsky
This piece
commemorates the Russian Battle of Borodine in 1812, which ended with
Napoleon's flight from Moscow after the city was set aflame. Originally the work was to be performed in a
public square in front of a cathedral.
At the end of the piece, the bells of the cathedral and other bells of
the city were to be rung and cannons to be fired. Although these sounds are only imitated for the concert hall or
on recording, it makes for a stirring finish!
NUTCRACKER
SUITE, Peter Ilich Tchaikovsky
The
overture is familiar to almost everyone.
A number of other parts of this work will also be familiar, including
the "Russian Dance" and "Waltz of the Flowers." Reading the story associated with this work
and then listening to the music will help you enjoy this piece more.
PIANO
CONCERTO IN B-FLAT MINOR, Peter Ilich
Tchaikovsky*
This
is a brilliant piece that demands a skilled pianist. The familiar first theme has been "lifted" and used in
more popular pieces than any other classical work.
ROMEO
AND JULIET, Peter Ilich Tchaikovsky
This
overture, based on Shakespeare's tale, has a familiar love theme. It also presents the contrasts of the two
feuding families portrayed in the play.
SWAN
LAKE and SLEEPING BEAUTY,
Peter Ilich Tchaikovsky
These two
works offer exciting beautiful music. Many
of the themes are familiar, and the story is interesting to follow.
AIDA:
GRAND MARCH, Giuseppe Verdi
Returning
victorious to Egypt, the army marches into the city carrying the spoils and
leading the prisoners to the accompaniment of this stirring march.